Tuesday, October 10, 2023

The Wonders of Arden - Helena Modjeska Historic House and Gardens

 

Maja Trochimczyk and Beata Czajkowska in Arden, July 2023

On 8 July 2023 the Club was supposed to travel to Arden, Helena Modjeska Historic House and Gardens in Modjeska Canyon, Silverado area of Orange County,  for a tour. Unfortunately, half of those who reserved cancelled last minute, and the other half got lost due to weird issues with GPS: you had to type in the street name and number, instead of the place name, in order to get accurate information. Those who sought just Modjeska House ended up in the middle of nowhere.  

Maja with Rob Brown, docent from Helena Modjeska Foundation

We owe the invitation to Rob Brown, who gave us a fascinating tour in July and lives in Modjeska Canyon neighborhood. An expert on local history, he invited us to participate in the Modjeska Birthday Open House. The event was planned by Bradley Flynt, Historic Park Curator, in collaboration with Helena Modjeska Foundation that provided volunteer docents in costume, Modjeska Shakespeare Players that presented favorite Shakespearean characters in excerpts from plays, and musicians.  What's missing is Polish folk dancing and I hope that some Polish folk dance groups would be able to perform there next year. 

Izabela Zuralski-Yeager, Elzbieta Kanski, Consul Mateusz Gmura, Mieszko Gmura and Maja Trochimczyk

I am glad to report that the place is lovely and in good shape, owned by Orange County Parks Department and supported by volunteers from the Helena Modjeska Foundation, established for that purpose in 1991.  There is plenty to see inside the house and in the gardens. For 7 October 2023 Open House and Helena's Birthday, we were invited to attend, bring our Club members and display information about Modjeska and our Club. 

Maja Trochimczyk, Pamela Harris, Consul Mateusz Gmura

On 8 July 2023 the Modjeska Club was represented by its President and Secretary, on 7 October 2023 by five members: Malgorzata and Slawek Brzezinski, Izabella Zuralski-Yeager, Elzbieta Kanska and former member Piotr Pieczonka. The Helena Modjeska Foundation were in costume, including its President Victor Sheer in a top hat, and Pamela Harris in a lovely red and white lace and flowers ensemble.  The Modjeska Shakespeare Players gave a presentation of Shakespearean characters and monologues from his plays and there was live music from the period, that sounded very "country and western" to me.  There were about 150 people in attendance, coming and going through the day, and all 20 booklets with Modjeska's bio were given away. This text is the first chapter of our new history, Celebrating Modjeska in California: History of Helena Modjeska Art and Culture Club. forthcoming this December. 

Below are some fragments of this text, without footnotes, about Arden, Modjeska as gardener, and Modjeska-themed organizations.

MODJESKA IN ARDEN

I have already mentioned the efforts of Modjeska and her husband Karol Chłapowski to build a profitable estate in California, based on the model of noble estates in Poland. They made home for themselves in “Arden,” an elegant mansion in the remote Santiago Canyon in Orange County. It became her refuge and a place of rest between exhausting tours around America. After the 1893 Ukaz by the Tsarist government forbidding her “to enter any part of the Russian territory,”  Arden became Modjeska’s primarily home, always open to relatives and friends, for whom she did not spare hospitality. 

Modjeska’s “Arden” in Santiago Canyon, Orange County, postcard 1902.

The estate also served as a working ranch with ever changing types of commercial crops; it consistently brought income from the sale of honey. Poultry and other domestic animals were raised for personal use, but the estate was mostly supported by Modjeska’s stage earnings. After the sale in 1906, the property was subdivided, and a central portion transformed into a Country Club. It was then purchased by the Walker family who used it as a summer retreat for 60 years. In 1986, Orange County purchased the house with adjoining grounds; three years later, the Helena Modjeska Historic Home and Garden, a National Historic Landmark, one of only two in Orange County, opened its doors to the public.

A Gardener’s Boss, 1893-1895

Few Poles know that Modjeska contributed to the study of Californian native plants by employing a famous gardener, specialist in wildflowers, shrubs and their seeds, Theodore Payne. He came from England and spent his first two years in America working in Arden (1893-95) where he was responsible for ornamental gardens and commercial projects, such as the honey production. Simultaneously, Payne became interested in native plants and began collecting their seeds. While the lady of the house was on theater tours, Payne had time to study nature and hike the countryside. He rode horses and collected samples of local plants. After moving on from this job, he became the owner of a seed company and nursery school in Los Angeles. In 1960, Payne retired and founded the Theodore Payne Foundation for Wild Flowers and Native Plants in Sun Valley, California. His 1964 book, Life on the Modjeska Ranch in the Gay Nineties, documents the adventures and misfortunes of ranch life and Modjeska’s gardens. 

A Botanist and Illustrator

Modjeska knew how to draw and liked to draw. On the margins of play texts one can find many sketches, caricatures or portraits of actors. In 1896, she wrote a fairy tale for her grandson Felix Modjeski, and illustrated it herself with watercolors of fantastic leaves and flowers. While enjoying the country life in the Arden house and gardens, she was passionate about drawing plants from nature, as seen in the tale’s illustrations of the Opuntia cactus, King Palm fronds or dry flowers of wild buckwheat. Going further, we could even call Madame Modjeska a Rosarian, since she loved and cared for many varieties of the rose bush. According to Payne, her garden contained many varieties of antique roses, selected and tended by the actress: Papa Gontier, Catherine Mermet, Madame Caroline Testout, Marie Van Houtte, Maman Cochet, Payl Neyron, Magna Carta, Ulrich Brunner, Prince Camille de Rohan, General Jacqueminot, Captain Christy, American Beauty, Reve d’Lamarque, Beauty Glazenwood, Reine Marie Henrietta, and White Bank.

Cover of Modjeska's Tale for her grandson, Felix Modjeski.

Celebrating Modjeska in California

Collections of documents relating to Modjeska’s career in Poland and the United States are housed in the special archives of the University of California, Irvine, featuring the actress’s theatrical memorabilia and archives donated by Ellen K. Lee who collected Modjeska-themed items from 1965 to 2006. The Bowers Museum in Santa Ana has some of her costumes and artwork from her home. The Huntington Library in San Marino, CA in the Opid-Modjeska Family Papers holds correspondence, photographs, and ephemera from 1869-1982 of Modjeska and members of the family of Ludwik Opid (1865-1948), her nephew. The New York Public Library for the Performing Arts holds Madame Modjeska Scrapbooks; 1877–1898.

Cover of the score of Modjeska Waltzes by Albert H. Fernald 
and Caroline Lowthian, Boston: Oliver Ditson Co.

There are many Modjeska-named sites – a Peak, Canyon, Park,  Waterfall… The Modjeska Peak, at 5,499 feet, is the lower peak in Saddleback Mountains overlooking the Modjeska Canyon; the Santiago Peak is the higher one.  The Modjeska Park in Anaheim, opened in 1963 holds a variety of sports facilities (football/soccer field, basketball courts, softball fields, recreation center, children play areas, etc.) on a beautiful 23.5-acre property.  A smaller Modjeska Park is across the street from the Modjeska Historic House and Gardens. A two-mile road through an unincorporated, rustic area of Orange County, the Modjeska Canyon winds through the center of what once was the Modjeska Ranch of 200 acres, subdivided in 1986.  In the Modjeska Falls, also known as Upper Glen Alpine Falls in El Dorado County, California, the Glen Alpine Creek  drops a total of 51 feet in three steps (30 feet plus two smaller drops of 10 feet each); the falls are seasonal, fed by melting snow. 

Interior of Modjeska House

“Arden” – Modjeska Historic House and Gardens is one of only two National Historic Landmarks in Orange County, California. Initially built by the Pleasants’ family and remodeled for Modjeska by architect Stanford White, it was sold in 1906, when Helena and Karol Chlapowski moved to a smaller house on Bay Island in Newport Beach. After being used as a Country Club until 1935, the property served as the Walker family vacation home for sixty years. The site was first recognized in 1935 as a California Historic Landmark No. 205. Then in 1974, it was added to the Federal database as the first National Historic Landmark of Orange County. In 1986, Orange County purchased the house with 14 acres around it; after three years of renovations, in 1989 the County established the Historic House and Gardens, open to the public, albeit with restricted access due to traffic and parking conditions in the Modjeska Canyon.  

Interior of Modjeska House, with lion table, a replica of the original Modjeska table, made and funded by Helena Modjeska Foundation when Linda Plochocki was its President.

The Modjeska Club wrote several letters to Orange County in support of its plan to establish a park and museum after the property purchase in 1986. Meanwhile, the issue of naming and marketing the Helena Modjeska Historic House and Gardens was repeatedly raised by a San-Diego-based organization, the Modjeskis’ Society, represented by Acting Director Wacław Czajkowski who issued “Press Release: A Summary of Stanford White by Modjeskis’ Society” undated, probably in November 1995.  This curious typewritten page outlined the history of the site and its recognition and voiced a disapproval of including the name of architect Stanford White in their descriptions. The Modjeskis’ Society insisted on deleting White’s association with the property from all landmark documents. Wacław Czajkowski wrote copious letters to various newspapers and organizations, demanding the restoration of a full-size 200-acre ranch, criticizing the creation of the Helena Modjeska Foundation in 1991, and bemoaning the fact that the government did not pay back the Society’s expenses. Unfortunately, some of this correspond-dence was published, as if it represented the community’s voice. 

Interior of the Modjeska Historic House; bottom windows 
added in the Country Club phase before 1935. 

Californian Organizations with “Modjeska” in their Names

In the 20th and 21st century the following cultural organizations took the name of Helena Modjeska in California. These organizations are discussed further in appropriate chapters of this book. 

• The Helena Modjeska Commemoration Committee established in 1949 by an attorney Joseph Scott as Chair, with Leonidas Dudarew-Ossetyński serving on its Executive Committee.  

• The Helena Modjeska Memorial Committee initiated in July 1954 by Leonidas Dudarew-Ossetyński and prominent Polish Americans in California to garner support for the construction of a Modjeska Monument designed by Stanisław Szukalski (see below). 

Stanislaw Szukalski's design of Helena Modjeska Memorial Program from 1955

• The Modjeska Players theater group organized by Leonidas Dudarew-Ossetyński in Los Angeles in 1954 and in operation to 1958, with Lidia Próchnicka as his co-star in several hundred performances during three years of tours in the U.S. and Canada. 

Lidia Prochnicka on the cover of White Eagle / Bialy Orzel

• The Helena Modjeska Art & Culture Club in Los Angeles, envisioned in 1971 by Leonidas Dudarew-Ossetyński and his friends, formally established in 1972 as an affiliate of American Council of Polish Cultural Clubs and Polish American Congress, Southern California Division; taken over by Solidarity-era immigrants in early 1980s, transformed first into an exclusive, private social club and then into a tax-exempt, nonprofit corporation (2005, see Chapter 4 – its genesis; Chapter 7 – changed status).

• The Helena (or Helen) Modjeska (or Modrzejewska) Polish-American Theatre, Group, Inc. created in December 1982 by Hanna Tyszkiewicz, Henryk Rozpędowski, and others, to promote Polish theater and thus honor the memory of the great actress; in operation in 1983-1999, performing in Polish. 

Program of Helena Modjeska Theater Group's performance of "The Morals of Mrs. Dulska" in 1983.

• The Modjeskis’ Society for the Preservation of Cultures established in April 1986 by Wacław Czajkowski in San Diego with the purpose of creating a permanent monument to Modjeska and Henryk Sienkiewicz on the “Modjeska Ranch” of 200 acres; this group generated press coverage of its protests of subdividing the Ranch and selling off individual lots to future residents. The Modjeskis’ Society opposed the establishment of the 14-acre Helena Modjeska Historic House and Gardens, and state and federal Historic Landmarks. Its charitable status was revoked in 2004. 

• The Helena Modjeska Foundation, a nonprofit organization incorporated in Orange County in 1991 by Ellen K. Lee with support of notable Americans (Pamela Harrell) and Polonia activists (Linda Płochocki), to provide volunteers and financial support for the Helena Modjeska Historic House and Gardens; www.helenamodjeska.net.

Volunteers from the Helena Modjeska Foundation in Arden- standing Victor Scherr, seated Dorota Plazewski-Moneymaker in 19th-c. costumes. 

• The Helena Modrzejewska Polish School of Orange County – operating at the Polish Center in Yorba Linda and offering Polish language, history, and culture classes to K-8 students on Saturdays, established in 1986 by Jerzy and Alicja Czarnecki; incorporated as a nonprofit organization in 2004; www.szkolapolska-oc.org.

• The Modjeska Playhouse, established in 2007 in Orange County by three actors-directors without links to Polish community (Joe Alanes, Joshua Stecker and Christopher Sullivan) to “commemorate Helena Modjeska and her Orange County roots by enriching the local community in Saddleback Valley with more cultural experiences.”  

• The Helena Modjeska Society established by Kris Cieply, that produced performances of Ewa Boryczko’s play, and commissioned replicas of Modjeska stage costumes and portraits. 

It is a testament to her wide-spread influence that so many organizations in Southern California have chosen Helena Modjeska as their patron. In addition to the Modjeska Memorial Committee of Szukalski and the Modjeska Players, there were two other theater groups honoring the famous actress in their names: the Helena Modjeska Polish-American Theater Group in Los Angeles, founded in 1982  and the Modjeska Playhouse operating in Orange County since 2007 and staging theater performances.


The fountain, restored in 2016.

Octagonal storage hut for honey and other items.

Woodpecker damaged the octagonal storage hut to store acorns.


Interior of the Music Room

Photo by Izabella Zuralski-Yeager


PHOTOS FROM MODJESKA BIRTHDAY OCTOBER 12, 2024



Cover of Modjeska biography by Maja Trochimczyk

Warden Bradley Flynt receives gifts from Moonrise Press.

Trochimczyk and Czajkowska

Krakusy dances

Krakusy dancers

The audience

Krakusy dancers


Pianist Kacper Yoder plays Chopin

Ella i Beata Czajkowska 













Thursday, October 5, 2023

Zbigniew Nyczak Presents His Art - 21 Oct. 2023 at 6pm, Playa Vista

 

The Helena Modjeska Art and Culture Club is pleased to invite its members and guests to a meeting on Saturday, October 21, 2023 at 6 p.m. at Playa Vista - Centerpointe Club (6200 Playa Vista Dr, Playa Vista, CA 90094). A lecture about his art, richly illustrated with slides, will be given by the outstanding painter Zbigniew Nyczak, a long-time member of our Club. After the lecture, we invite you to a reception. Please don't forget desserts and your favorite drinks. Admission is free for Club members, for guests $20 per person, payable at the entrance. RSVP adress@modjeska.org. Parking is under the hall.

Zbigniew Nyczak is a graduate of the Faculty of Interior Design at the Academy of Fine Arts in Warsaw (1976 – 1981). He has been living and creating in Los Angeles for over forty years. His paintings have won recognition in many circles of the artistic world; his artwork is also enjoying the interest of art sponsors and collectors both in the United States and abroad. His works have been presented in many renowned art institutions, including galleries, museums and exhibitions, to mention only the Carnegie Art Museum in Oxnard, the Autry Western Heritage Museum in Los Angeles, the Old West Museum in Cheyenne and the Smithsonian National Portrait Gallery of American Art and Portraiture in Washington, where his portrait of William Schomaker has become part of the permanent exhibition. Three years ago, this image was printed as a 30-foot banner and placed on the façade of the building as a unique advertisement for this renowned museum. 


Nyczak's work can be seen in many cities, including New York, San Francisco, San Antonio, Palm Springs, Lexington, New Orleans, Las Vegas, Pasadena and the Simic gallery on the famous Rodeo Drive in Beverly Hills. In addition, his works have also found their way to international locations such as Warsaw, Dubai, Vienna, Paris and Nairobi. As a representative of the United States, he was invited by an Arab sheikh to Dubai, where he presented his series of racehorse paintings, focused on the world's best horse races. In the neighboring Emirate of Sharjah, he also taught painting classes at the local university for the son and daughter of the reigning sheikh. 

Nyczak was also invited to Poland by the producers of the historical epic film Ogniem i Mieczem (With Fire and Sword) to create documentation in the form of oil paintings, which served as elements of the film's promotion. These works have been featured in exhibitions and TV broadcasts, and all 20 paintings have been sold in an online auction conducted for a week on the morning programs of the TV station Polsat. The artist also created an oil portrait of Hugh Hefner's residence, Playboy Mansion West, which was used in the artist's successful promotion at a major gala, and then entered the host's private collection.

In Laguna Beach, Nyczak opened his own art gallery, where, as president of the artistic group of artists Contempo Art Association, he also supported other artists. Thanks to his intense artistic activity, he gained recognition and interest from many sponsors, including such prominent figures as Aaron Spelling, Hugh Hefner, Dick Kelly (Clinton's stepfather) and the Shoemaker Foundation. The subject matter of his works is extremely diverse, and his motto is: "It's not important what we paint, but how we do it." Zbigniew Nyczak is also a member of prestigious art organizations such as Oil Painters of America, American Plains Artists and California Art Club. 

His artwork is on display as part of the exhibit: "Artists of Modjeska Club: 50 Years of Art" at the Vienna Woods Gallery (351 S. La Brea Ave, Los Angeles, CA), to the end of November. 

PHOTOS FROM THE OPENING OF THE EXHIBITION













Thursday, September 14, 2023

Modjeska Club at the "National Reading" - Orzeszkowa's "Nad Niemnem" in Los Angeles, 9.9.23

 

Narodowe Czytanie, National Reading 9 September 2023, Los Angeles

Project of the Consulate General of the Republic of Poland in Los Angeles, under the honorary patronage of Consul General, Marta Wolanska 

Collaborating Partners: Polish Parish of Our Lady of the Bright Mount – Sanctuary of John Paul II; Polish Alma Mater - Polish School, the Poland's Millenium Library, and the Helena Modjeska Art and Culture Club in Los Angeles


On Saturday, September 9, 2023, the Consulate of the Republic of Poland, in cooperation with four Polish organizations, presented National Reading, a global cultural event aimed at popularizing Polish reading and literature. This year's topic was the novel Nad Niemnem by Eliza Orzeszkowa, chosen because of the topic of the January Uprising, which, among other things, it touched upon. The year 2023 is the 160th anniversary of the outbreak of this uprising against the Russians occupying Poland since 1795.

Consul General Marta Wolanska

Students, teachers, parents and guests gathered in the Parish Hall of the Church of Our Lady of Jasna Góra in Los Angeles to listen to the reading of fragments of the novel prepared by five adults and five children. Among the adults were: Father Mirosław Frankowski, Consul General Marta Wolańska, Stanisław Jarecki from the Millenium Library, Polish School teacher Mariola Bałazy and Katarzyna Śmiechowicz, event coordinator, actress, and Vice-President of the Helena Modjeska Art and Culture Club.


After welcoming those present by the School Director, Henryka Łazarz, Father Mirek Frankowski spoke, celebrating another example of cooperation between many Polish organizations, the Consulate, and the Church. Consul General Marta Wolańska recalled the wonderful first National Reading, a great event in the Ogrod Saski ("Saxon Garden") park in Warsaw, in which she had the pleasure of participating. Mrs. Consul also talked about the importance of reading books for the intellectual and emotional development of young people and about rediscovering "classics" known from school by adults. Reading does not have to be in Polish, it can also be in English: the most important thing is to read longer texts, not only mini-blogs or messages on social media.

Julian Saleba plays For Elise by Beethoven

The event was planned and coordinated by Katarzyna Śmiechowicz, Vice-President of the Modjeska Club, a well-known actress and mother of two students from the Polish School, Antoni and Fabian LeConte, who took part in the youth group. When determining the format of "reading", Śmiechowicz decided to limit the time to about an hour, add musical interludes, and invite adults and children to read. The point is to encourage young people, the future of the Polish community, to read books, so the students' participation was crucial.

Katarzyna Smiechowicz

Although the topic of the 1863 January Uprising was important, Śmiechowicz believed that the most important thing was to show moral dilemmas and conflicts of various value systems between successive generations of nobility, both the rich and the provincial ones, in the Eastern Borderlands. In the previous generation depicted in Nad Niemnem, Benedykt Korczyński, a hard-working estate owner, married a beautiful but pretentious lady, who after many years turned into a bitter "complainer" of constant grievances, hypochondria, and a complete lack of understanding for his hard work and dedication to the family. His only comfort was his children and the joy of life that their love brought. The main characters of the novel were Justyna Orzelska, an impoverished "high-class" cousin of the Korczyński family, and her beloved Jan Bohatyrowicz, a simple and honest but poor nobleman from a small settlement. The landowner family tried to force Justyna to agree to marriage with a rich "great lord", but instead of giving in and succumbing to their persuasion, she publicly announced the engagement to her beloved. Śmiechowicz summed up the situation this way: "It's a beautiful example of fidelity to principles and willpower, as well as a difficult choice: instead of living in luxury with an unloved stranger, the decision to marry for love and work together to create a family and a beautiful future."

As the President of the Modjeska Club, my task was to introduce the 19th-century writer and her work to those in attendance at the National Reading. The text of my essay is below.
  
Kasper Yoder closes the program with Chopin's Revolutionary Etude

Between the segments of the novel presented by adults and young people, a musical interlude was performed by a young pianist - a student from the Polish School, Julian Saleba, playing Beethoven's For Eliza. Five students read the second part of the novel: Anna-Sophia Kurpiewski, Antoni Leconte, Fabian Leconte, Karolina Czerwczak, and Piotr Brózda. At the end, a graduate of the Polish School, a student of UCLA in the piano department, an outstanding pianist who has already won many competitions, Kasper Yoder, performed. Chopin's Revolutionary Etude (Op. 10, No. 12, in C minor) sounded impressive under his fingers, closing the National Reading with an accent of musical virtuosity and a range of intense emotions.

Special thanks to all the organizers and participants; especially, not mentioned above Lukasz Sochur with his wife, parents of Polish School students, who volunteer to take care of all AV projection, five microphones, slides, and more.

Consul Generaln Marta Wolanska, Katarzyna Śmiechowicz

Adults read: Stanislaw Jarecki, Consul Wolanska, Father M. Frankowski

Katarzyna Śmiechowicz, Maja Trochimczyk




WHO WAS ELIZA ORZESZKOWA?

A word about the writer and the novel Nad Niemnem

Dr. Maja Trochimczyk, President of the Modjeska Club

Who was Orzeszkowa? Known under the surname of her first husband (Piotr Orzeszko - hence Orzeszko-wa), as a child her name was Elżbieta Pawłowska, and she was the daughter of lawyer Benedykt. She was born on June 6, 1841 on the Milkowszczyzna family estate, but after her father's death (he died when she was only three years old) she lived in nearby Grodno, a city now in Belarus. It used to be a large Polish city in the Eastern Borderlands, near Białystok.

At home she was called Elise, or Lisa in French,  she went to Warsaw to study at a boarding school for noble girls, where she became friends with Maria Konopnicka, later an equally famous writer. Her father had a large collection of books, so there was a lot to read; since childhood, Eliza showed her literary talent. However, she was only 17 years old when her mother selected her husband she was forced to marry. Piotr Orzeszko was 16 years older than Eliza. After marrying him in 1858, she lived on his estate in Ludwinów. During the January Uprising in 1863, they helped the insurgents; for instance. they took care of the wounded leader of the Uprising, Romuald Traugutt, for two weeks. This kindness cost them a lot. An informer denounced them and notified the Russian authorities about this; as a result, Piotr Orzeszko was arrested and sent to Siberia, where he died. The real estate property was taken by the Russian government. Orzeszkowa returned to her family home; she started reading and writing more - short stories, articles, and novels. After selling the estate in 1869, she lived in Grodno until her death and earned her living as a writer.

She combined artistic talent, careful observation and sensitivity to the melody of language with a positive philosophy of life. She belonged to the so-called group of positivists who were looking for a way for national survival in the era of repressions after the fall of the January Uprising. She believed in the ideals of social justice, the emancipation of women - that is, their education, upbringing in moral, national and religious values, and the right to professional work. Today women have these rights, back then they couldn't even go to college. Let us remember that Maria Skłodowska had to go to Paris to study chemistry and physics. She could not study in Polish lands ruled by Russia.

Orzeszkowa believed in national values related to the community of impoverished and patriotic nobility and peasants, and advocated cooperation between social classes. She admired the traditions of the provincial nobility - they had titles and noble coats of arms, but little money, so everyone worked on their small estates. "A nobleman on the farm, equal to the voivode!" Noblewomen wore white gloves to distinguish themselves from peasant women... When I was a child, my grandmother also wore white gloves and dressed me in such gloves when going to church on Sundays, during holidays in the countryside.

Orzeszkowa's characters lived close to nature; they created close, cordial bonds between people - in the family, in the village, on the estate: they worked together, celebrated holidays, sang and had fun. In a word, an Eden. Arcadia. This model of life, in which everyone can live in a house with a garden, grow their food, and enjoy contact with nature, is an ideal model for all humanity. There is enough space on Earth to make it happen. Apparently all the people in the world could be accommodated in houses with gardens on an area equal to Russia. If they were crammed into apartments, all nine billion of them would fit in Australia, and if they were crammed into large skyscrapers like in Manhattan, New Zealand would be enough for all of humanity. There is enough space for everyone. Only the richest billionaires, owners and controllers of giant corporations, giant financial institutions, do not want this - because independent, proud, self-sufficient people will never be their slaves.

Orzeszkowa did not like the richest of the nobility, denationalized, snobbish, bored, exploiting the peasants - because they did not work themselves, they were "above" the prose of everyday life... She criticized the snobbery, selfishness and leisure of the rich, foreign-educated Poles who cut themselves off from their roots, from national concerns and affairs. She promoted the cult of work as a cure for everything. She also cared about the assimilation and acceptance of Jews, to which she devoted several novels. In total, she wrote over forty novels and volumes of short stories. Let me quote some titles: The Last Love, From the Life of a Realist, In the Provinces, In the Cage, Virtuous, Pan Graba, Marta, Pompalińscy, Meir Ezofowicz, Widma (Ghosts), Sylwek Cmentarnik, Dziurdziowie, Cham, Jędza (Witch), Melancholicy and Bańka mydlana (A Soap Bubble).

In 1904, Orzeszkowa was a candidate for the Nobel Prize in Literature, competing with Henryk Sienkiewicz, who ultimately received the award for his masterpiece Quo Vadis. The novel that was submitted for "Elise Orzeszko" for the award was Nad Niemnem. The writer died in 1910 (she was almost the same age as Helena Modrzejewska, 1840-1909) and was buried in Grodno. Józef Kotarbiński said at the funeral: "She was the living wisdom and the feeling heart of the entire era..." Today, there is a monument in her honor in Grodno, and two monuments to Orzeszkowa are in Warsaw.

The novel Nad Niemnem was commissioned by a periodical; it first appeared in serialization in Tygodnik Ilustrowany in 1887. The entire novel was published in three volumes a year later. Nad Niemen shows the life of the nobility - both the richest and the provincial ones - in the Polish Eastern Borderlands, near Grodno. It is based on the author's authentic observations. The action takes place mainly in Korczyn - the estate of Benedykt Korczyński, modeled on the Miniewicze estate of the Kamieński family. Nearby there is a settlement of poor nobility, Bohatyrowicze: it ws a real place, later part of a village called Samostrzelniki... but we don't know whether anything was left of it after the war. My great aunt Antonina Glińska's Skarbkowo near Baranowicze, after her the murder of her husband by Soviets and her deportation with sons to Siberia, was incorporated into the collective farm, plowed up completely, only one pear tree was left in the fields... Aunt Tonia told me about it sadly, and her last pear tree was portrayed in my poem...

The theme of the novel Nad Niemnem was initially supposed to be the misalliance (that was the title, Misalliance) of a lady from a good home, although impoverished, but coming from high society, Justyna Orzelska (a cousin of the Korczyński family) and her beloved, simple and honest Jan Bohatyrowicz, a poor a nobleman from a small settlement. The author gradually expanded the number of characters and topics, thus portraying the entire nobility, various social classes, landscapes and nature in the novel. She devoted a lot of space to descriptions of nature - you can find detailed images of as many as 140 different plants in the text! The events during the action take place in 1886; they are confronted with memories from the past, from the time of the January Uprising of 1863. The decisions, values and fate of the characters "now" are reflected in the mirror of the past, when similar situations led to different decisions and different consequences.

Historian and literary critic Stanisław Brzozowski called Orzeszkowa "Mickiewicz's younger sister" - because she returned to themes and places known from his epic poem Pan Tadeusz, set in Lithuania on estates and in manor houses of the Polish nobility... The immense popularity of the novel Nad Niemnem resulted in the intervention of the Russian censorship that banned the printing of the fourth edition in 1890. Nad Niemnem has been popular for years. It was adapted into two films, made in 1939 and 1987, and a TV series. Two theater plays were also created on the basis of its stories. The wonderful panorama of life on the Niemen River contains many examples of the authentic Polish language from the Grodno area in the Borderlands, especially in the Bohatyrowicz family, the most positive characters of the novel.  Orzeszkowa wrote about this version of the Polish language:

 "One of the most original and interesting features that distinguish these people is their speech, their Polish language. At first, to those accustomed to today's literary and salon language it seems so unusual that some expressions are almost impossible to understand [...] However, after listening to it carefully, for a long time, it turns out to be simply old Polish and completely pure, only so old, that for many words you have to go to Rej [...] It gives the impression of serious, pure speech with a completely native spirit, especially since the syntax, word order and period phrases give a certain old-fashioned tone."

The values and ideals that Orzeszkowa promotes in the book are certainly not old-fashioned. She presents a vision of a dignified and just life, based on family relationships and national traditions, moral principles, respect and love for loved ones. These values are not antiquitated but timeless. It is a life close to nature; a peaceful existence in houses with gardens, in houses surrounded by fertile fields, where each family can grow everything they need and earn enough for a life of dignity and peace. This ideal was promoted by Orzeszkowa, a visionary in the 19th century; this ideal is valid both for us and for the whole world, for today and tomorrow.

Maja Trochimczyk