Thursday, September 14, 2023

Modjeska Club at the "National Reading" - Orzeszkowa's "Nad Niemnem" in Los Angeles, 9.9.23


Narodowe Czytanie, National Reading 9 September 2023, Los Angeles

Project of the Consulate General of the Republic of Poland in Los Angeles, under the honorary patronage of Consul General, Marta Wolanska 

Collaborating Partners: Polish Parish of Our Lady of the Bright Mount – Sanctuary of John Paul II; Polish Alma Mater - Polish School, the Poland's Millenium Library, and the Helena Modjeska Art and Culture Club in Los Angeles

On Saturday, September 9, 2023, the Consulate of the Republic of Poland, in cooperation with four Polish organizations, presented National Reading, a global cultural event aimed at popularizing Polish reading and literature. This year's topic was the novel Nad Niemnem by Eliza Orzeszkowa, chosen because of the topic of the January Uprising, which, among other things, it touched upon. The year 2023 is the 160th anniversary of the outbreak of this uprising against the Russians occupying Poland since 1795.

Consul General Marta Wolanska

Students, teachers, parents and guests gathered in the Parish Hall of the Church of Our Lady of Jasna Góra in Los Angeles to listen to the reading of fragments of the novel prepared by five adults and five children. Among the adults were: Father Mirosław Frankowski, Consul General Marta Wolańska, Stanisław Jarecki from the Millenium Library, Polish School teacher Mariola Bałazy and Katarzyna Śmiechowicz, event coordinator, actress, and Vice-President of the Helena Modjeska Art and Culture Club.

After welcoming those present by the School Director, Henryka Łazarz, Father Mirek Frankowski spoke, celebrating another example of cooperation between many Polish organizations, the Consulate, and the Church. Consul General Marta Wolańska recalled the wonderful first National Reading, a great event in the Ogrod Saski ("Saxon Garden") park in Warsaw, in which she had the pleasure of participating. Mrs. Consul also talked about the importance of reading books for the intellectual and emotional development of young people and about rediscovering "classics" known from school by adults. Reading does not have to be in Polish, it can also be in English: the most important thing is to read longer texts, not only mini-blogs or messages on social media.

Julian Saleba plays For Elise by Beethoven

The event was planned and coordinated by Katarzyna Śmiechowicz, Vice-President of the Modjeska Club, a well-known actress and mother of two students from the Polish School, Antoni and Fabian LeConte, who took part in the youth group. When determining the format of "reading", Śmiechowicz decided to limit the time to about an hour, add musical interludes, and invite adults and children to read. The point is to encourage young people, the future of the Polish community, to read books, so the students' participation was crucial.

Katarzyna Smiechowicz

Although the topic of the 1863 January Uprising was important, Śmiechowicz believed that the most important thing was to show moral dilemmas and conflicts of various value systems between successive generations of nobility, both the rich and the provincial ones, in the Eastern Borderlands. In the previous generation depicted in Nad Niemnem, Benedykt Korczyński, a hard-working estate owner, married a beautiful but pretentious lady, who after many years turned into a bitter "complainer" of constant grievances, hypochondria, and a complete lack of understanding for his hard work and dedication to the family. His only comfort was his children and the joy of life that their love brought. The main characters of the novel were Justyna Orzelska, an impoverished "high-class" cousin of the Korczyński family, and her beloved Jan Bohatyrowicz, a simple and honest but poor nobleman from a small settlement. The landowner family tried to force Justyna to agree to marriage with a rich "great lord", but instead of giving in and succumbing to their persuasion, she publicly announced the engagement to her beloved. Śmiechowicz summed up the situation this way: "It's a beautiful example of fidelity to principles and willpower, as well as a difficult choice: instead of living in luxury with an unloved stranger, the decision to marry for love and work together to create a family and a beautiful future."

As the President of the Modjeska Club, my task was to introduce the 19th-century writer and her work to those in attendance at the National Reading. The text of my essay is below.
Kasper Yoder closes the program with Chopin's Revolutionary Etude

Between the segments of the novel presented by adults and young people, a musical interlude was performed by a young pianist - a student from the Polish School, Julian Saleba, playing Beethoven's For Eliza. Five students read the second part of the novel: Anna-Sophia Kurpiewski, Antoni Leconte, Fabian Leconte, Karolina Czerwczak, and Piotr Brózda. At the end, a graduate of the Polish School, a student of UCLA in the piano department, an outstanding pianist who has already won many competitions, Kasper Yoder, performed. Chopin's Revolutionary Etude (Op. 10, No. 12, in C minor) sounded impressive under his fingers, closing the National Reading with an accent of musical virtuosity and a range of intense emotions.

Special thanks to all the organizers and participants; especially, not mentioned above Lukasz Sochur with his wife, parents of Polish School students, who volunteer to take care of all AV projection, five microphones, slides, and more.

Consul Generaln Marta Wolanska, Katarzyna Śmiechowicz

Adults read: Stanislaw Jarecki, Consul Wolanska, Father M. Frankowski

Katarzyna Śmiechowicz, Maja Trochimczyk


A word about the writer and the novel Nad Niemnem

Dr. Maja Trochimczyk, President of the Modjeska Club

Who was Orzeszkowa? Known under the surname of her first husband (Piotr Orzeszko - hence Orzeszko-wa), as a child her name was Elżbieta Pawłowska, and she was the daughter of lawyer Benedykt. She was born on June 6, 1841 on the Milkowszczyzna family estate, but after her father's death (he died when she was only three years old) she lived in nearby Grodno, a city now in Belarus. It used to be a large Polish city in the Eastern Borderlands, near Białystok.

At home she was called Elise, or Lisa in French,  she went to Warsaw to study at a boarding school for noble girls, where she became friends with Maria Konopnicka, later an equally famous writer. Her father had a large collection of books, so there was a lot to read; since childhood, Eliza showed her literary talent. However, she was only 17 years old when her mother selected her husband she was forced to marry. Piotr Orzeszko was 16 years older than Eliza. After marrying him in 1858, she lived on his estate in Ludwinów. During the January Uprising in 1863, they helped the insurgents; for instance. they took care of the wounded leader of the Uprising, Romuald Traugutt, for two weeks. This kindness cost them a lot. An informer denounced them and notified the Russian authorities about this; as a result, Piotr Orzeszko was arrested and sent to Siberia, where he died. The real estate property was taken by the Russian government. Orzeszkowa returned to her family home; she started reading and writing more - short stories, articles, and novels. After selling the estate in 1869, she lived in Grodno until her death and earned her living as a writer.

She combined artistic talent, careful observation and sensitivity to the melody of language with a positive philosophy of life. She belonged to the so-called group of positivists who were looking for a way for national survival in the era of repressions after the fall of the January Uprising. She believed in the ideals of social justice, the emancipation of women - that is, their education, upbringing in moral, national and religious values, and the right to professional work. Today women have these rights, back then they couldn't even go to college. Let us remember that Maria Skłodowska had to go to Paris to study chemistry and physics. She could not study in Polish lands ruled by Russia.

Orzeszkowa believed in national values related to the community of impoverished and patriotic nobility and peasants, and advocated cooperation between social classes. She admired the traditions of the provincial nobility - they had titles and noble coats of arms, but little money, so everyone worked on their small estates. "A nobleman on the farm, equal to the voivode!" Noblewomen wore white gloves to distinguish themselves from peasant women... When I was a child, my grandmother also wore white gloves and dressed me in such gloves when going to church on Sundays, during holidays in the countryside.

Orzeszkowa's characters lived close to nature; they created close, cordial bonds between people - in the family, in the village, on the estate: they worked together, celebrated holidays, sang and had fun. In a word, an Eden. Arcadia. This model of life, in which everyone can live in a house with a garden, grow their food, and enjoy contact with nature, is an ideal model for all humanity. There is enough space on Earth to make it happen. Apparently all the people in the world could be accommodated in houses with gardens on an area equal to Russia. If they were crammed into apartments, all nine billion of them would fit in Australia, and if they were crammed into large skyscrapers like in Manhattan, New Zealand would be enough for all of humanity. There is enough space for everyone. Only the richest billionaires, owners and controllers of giant corporations, giant financial institutions, do not want this - because independent, proud, self-sufficient people will never be their slaves.

Orzeszkowa did not like the richest of the nobility, denationalized, snobbish, bored, exploiting the peasants - because they did not work themselves, they were "above" the prose of everyday life... She criticized the snobbery, selfishness and leisure of the rich, foreign-educated Poles who cut themselves off from their roots, from national concerns and affairs. She promoted the cult of work as a cure for everything. She also cared about the assimilation and acceptance of Jews, to which she devoted several novels. In total, she wrote over forty novels and volumes of short stories. Let me quote some titles: The Last Love, From the Life of a Realist, In the Provinces, In the Cage, Virtuous, Pan Graba, Marta, Pompalińscy, Meir Ezofowicz, Widma (Ghosts), Sylwek Cmentarnik, Dziurdziowie, Cham, Jędza (Witch), Melancholicy and Bańka mydlana (A Soap Bubble).

In 1904, Orzeszkowa was a candidate for the Nobel Prize in Literature, competing with Henryk Sienkiewicz, who ultimately received the award for his masterpiece Quo Vadis. The novel that was submitted for "Elise Orzeszko" for the award was Nad Niemnem. The writer died in 1910 (she was almost the same age as Helena Modrzejewska, 1840-1909) and was buried in Grodno. Józef Kotarbiński said at the funeral: "She was the living wisdom and the feeling heart of the entire era..." Today, there is a monument in her honor in Grodno, and two monuments to Orzeszkowa are in Warsaw.

The novel Nad Niemnem was commissioned by a periodical; it first appeared in serialization in Tygodnik Ilustrowany in 1887. The entire novel was published in three volumes a year later. Nad Niemen shows the life of the nobility - both the richest and the provincial ones - in the Polish Eastern Borderlands, near Grodno. It is based on the author's authentic observations. The action takes place mainly in Korczyn - the estate of Benedykt Korczyński, modeled on the Miniewicze estate of the Kamieński family. Nearby there is a settlement of poor nobility, Bohatyrowicze: it ws a real place, later part of a village called Samostrzelniki... but we don't know whether anything was left of it after the war. My great aunt Antonina Glińska's Skarbkowo near Baranowicze, after her the murder of her husband by Soviets and her deportation with sons to Siberia, was incorporated into the collective farm, plowed up completely, only one pear tree was left in the fields... Aunt Tonia told me about it sadly, and her last pear tree was portrayed in my poem...

The theme of the novel Nad Niemnem was initially supposed to be the misalliance (that was the title, Misalliance) of a lady from a good home, although impoverished, but coming from high society, Justyna Orzelska (a cousin of the Korczyński family) and her beloved, simple and honest Jan Bohatyrowicz, a poor a nobleman from a small settlement. The author gradually expanded the number of characters and topics, thus portraying the entire nobility, various social classes, landscapes and nature in the novel. She devoted a lot of space to descriptions of nature - you can find detailed images of as many as 140 different plants in the text! The events during the action take place in 1886; they are confronted with memories from the past, from the time of the January Uprising of 1863. The decisions, values and fate of the characters "now" are reflected in the mirror of the past, when similar situations led to different decisions and different consequences.

Historian and literary critic Stanisław Brzozowski called Orzeszkowa "Mickiewicz's younger sister" - because she returned to themes and places known from his epic poem Pan Tadeusz, set in Lithuania on estates and in manor houses of the Polish nobility... The immense popularity of the novel Nad Niemnem resulted in the intervention of the Russian censorship that banned the printing of the fourth edition in 1890. Nad Niemnem has been popular for years. It was adapted into two films, made in 1939 and 1987, and a TV series. Two theater plays were also created on the basis of its stories. The wonderful panorama of life on the Niemen River contains many examples of the authentic Polish language from the Grodno area in the Borderlands, especially in the Bohatyrowicz family, the most positive characters of the novel.  Orzeszkowa wrote about this version of the Polish language:

 "One of the most original and interesting features that distinguish these people is their speech, their Polish language. At first, to those accustomed to today's literary and salon language it seems so unusual that some expressions are almost impossible to understand [...] However, after listening to it carefully, for a long time, it turns out to be simply old Polish and completely pure, only so old, that for many words you have to go to Rej [...] It gives the impression of serious, pure speech with a completely native spirit, especially since the syntax, word order and period phrases give a certain old-fashioned tone."

The values and ideals that Orzeszkowa promotes in the book are certainly not old-fashioned. She presents a vision of a dignified and just life, based on family relationships and national traditions, moral principles, respect and love for loved ones. These values are not antiquitated but timeless. It is a life close to nature; a peaceful existence in houses with gardens, in houses surrounded by fertile fields, where each family can grow everything they need and earn enough for a life of dignity and peace. This ideal was promoted by Orzeszkowa, a visionary in the 19th century; this ideal is valid both for us and for the whole world, for today and tomorrow.

Maja Trochimczyk

Sunday, September 3, 2023

50 Years of Art at Modjeska Club - Exhibition Opening at Vienna Woods, 23 Sept. 2023, at 6pm


50 Years of Art: Artists of the Modjeska Club is an exhibit of artwork by five eminent Polish American painters and artists (here listed in chronological order, below by last name): Stanislaw Szukalski, Leonard Konopelski, Zbigniew Nyczak, Slawek Wisniewski, and Janusz Maszkiewicz. Held at Vienna Woods Gallery, 351 South  La Brea Blvd, Los Angeles 90036, the exhibition will be on view from September 23 to October 22, and the opening reception will take place on Saturday, 23 September 2023, at 6 pm. RSVP to to 20 September 2023.


Leonard Konopelski is a painter and graphic designer. Born in Poland in 1942, he was educated at the Academy of Fine Arts in Krakow and the Academy of Fine Arts in Warsaw, Poland, graduating with a M.A. in 1973. In addition to painting, Konopelski designs film and theater posters, theater set and costumes. For over 25 years he served as professor teaching design and painting at the Art Center College of Design in Pasadena, and is now its Professor Emeritus.  Earlier he has taught in CalArt, CSU Long Beach, CSU Fullerton, USC Los Angeles, University of Kansas, Universidad Autonoma Metropolitana in Mexico City, Mexico, University of Ulsan, South Korea and UMCS Lublin, Poland.


Konopelski is a member of the Krakart Group of Polish-American artists in California and often exhibits his works jointly with this group. He is also an art collector and samples from his collection of Polish Film Posters that he donated to the Art Center were recently exhibited in Pasadena.


Andrzej Kolodziej, Maja Trochimczyk, Leonard Konopelski at Antonina Konopelska Photo Exhibition, Vienna Woods, 2018

Konopelski is the designer of the poster for this Exhibition as well as of the logo of the Helena Modjeska Art & Culture Club that has been in use since the 1990s. The image of the Polish eagle symbolizing the nation, placed atop a classical Greek column in Ionic style, symbolizing cultural pursuit is a perfect expression of the Club’s mission, dedicated to the promotion of Polish Culture. In addition, Konopelski hosted many meetings of the Club, interviewing artists, or presenting films about artists or the arts. 


Founder of Vienna Woods, painter Janusz Maszkiewicz is a proficient craftsman, sculptor and a preeminent artist in the field of marquetry veneer inlays. He studied art restoration and chemistry at the Nicolaus Copernicus University in Toruń. At the same time, he attended classes in drawing and painting. At the end of the 1970s, he was active in the artistic environment of Toruń. In the 1980s he lived in London. In 1989 he emigrated to New York, where he was represented by the Stendahl Gallery on Broadway in Soho. 

Maszkiewicz, Untitled, oil on canvas, 150 cm X 150 cm

In 1993, he moved west, to Santa Monica, California. There, he opened his own company, which dealt with the construction and design of furniture, as well as the restoration of works of art. Eventually he settled in Los Angeles at 351 South La Brea, where he opened his own gallery. "His large-format compositions are a testimony to great culture, artistic sensitivity and an extremely sublime, valuable synthesis" - says one of the curators of our exhibition, prof. zv. dr hab. Jan Wiktor Sienkiewicz. Maszkiewicz is a member of Krakart Group in Los Angeles and often exhibits with this group in California, New York, and Poland.  

Janusz Maszkiewicz – Nocturne, oil on canvas, 60’ X 60’


Zbigniew Nyczak is a graduate of the Faculty of Interior Design at the Academy of Fine Arts in Warsaw (1976 – 1981). He has been living and creating in Los Angeles for over forty years. His paintings have won recognition in many circles of the artistic world; his artwork is also enjoying the interest of art sponsors and collectors both in the United States and abroad. His works have been presented in many renowned art institutions, including galleries, museums and exhibitions, to mention only the Carnegie Art Museum in Oxnard, the Autry Western Heritage Museum in Los Angeles, the Old West Museum in Cheyenne and the Smithsonian National Portrait Gallery of American Art and Portraiture in Washington, where his portrait of William Schomaker has become part of the permanent exhibition. Three years ago, this image was printed as a 30-foot banner and placed on the façade of the building as a unique advertisement for this renowned museum. 

Nyczak's work can be seen in many cities, including New York, San Francisco, San Antonio, Palm Springs, Lexington, New Orleans, Las Vegas, Pasadena and the Simic gallery on the famous Rodeo Drive in Beverly Hills. In addition, his works have also found their way to international locations such as Warsaw, Dubai, Vienna, Paris and Nairobi. As a representative of the United States, he was invited by an Arab sheikh to Dubai, where he presented his series of racehorse paintings, focused on the world's best horse races. In the neighboring Emirate of Sharjah, he also taught painting classes at the local university for the son and daughter of the reigning sheikh. 

Nyczak was also invited to Poland by the producers of the historical epic film Ogniem i Mieczem (With Fire and Sword) to create documentation in the form of oil paintings, which served as elements of the film's promotion. These works have been featured in exhibitions and TV broadcasts, and all 20 paintings have been sold in an online auction conducted for a week on the morning programs of the TV station Polsat. The artist also created an oil portrait of Hugh Hefner's residence, Playboy Mansion West, which was used in the artist's successful promotion at a major gala, and then entered the host's private collection.

In Laguna Beach, Nyczak opened his own art gallery, where, as president of the artistic group of artists Contempo Art Association, he also supported other artists. Thanks to his intense artistic activity, he gained recognition and interest from many sponsors, including such prominent figures as Aaron Spelling, Hugh Hefner, Dick Kelly (Clinton's stepfather) and the Shoemaker Foundation. The subject matter of his works is extremely diverse, and his motto is: "It's not important what we paint, but how we do it." Zbigniew Nyczak is also a member of prestigious art organizations such as Oil Painters of America, American Plains Artists and California Art Club. 


Born in 1959 in Poland, Wisniewski is an American artist, living in Southern California, Los Angeles area. He studied medicine in Poland (M.D. Diploma), however was always involved in the creative arts, mostly oil painting on canvas. His first shows date back to the 1980s (Honorata Gallery in Lodz, Poland). He is a member of Zwiazek Artystow Plastykow Rzeczypospolitej-Polska.


Hyperinsomnia by Slawek Wisniewski, oil on canvas, 48’ X 36’

Wisniewski successfully showed his art at the Los Angeles County Museum of Art and was affiliated with the gallery ARSG for five years; he is currently represented by Saatchi Art Gallery, For several years, he worked with a group of NOHO-artists called EVA.

Just Once – City Painting by Slawek Wisniewski, oil on canvas, 48’ X 36’

 His paintings in surrealist styles include trompe l'oeil still life imagery. Currently, he works on a series of paintings showing expressions of Los Angeles, using color for its emotional impact in his interpretations of the city. In new works he uses also scribbles, as automatic form , intuitive and emotional ,non-linguistic visual signs to display reference to landscape or semiotic expression of thoughts. There are also some lines of poetry chosen from Rilke.  Some of the works are done in genuine Yves Klein Blue/IKB/. 

Blue Violin- Mixed media IKB,wood violin,pencil 24 in x 36in


Szukalski and Ossetynski, From Archives of Valerie Dudarew-Ossetynska-Hunken.  


Szukalski was a sculptor, whose education alternated between Poland and the U.S. In Poland, he founded a Slavic art group Szczep Rogatego Serca (The Horned Heart Tribe) and in America he was a part of the Chicago Renaissance. Szukalski's dynamic and symbolic artworks bright together influences from ancient cultures (Egyptian, Slavic, Aztec), and modernist techniques of cubism or expressionism. Known as Poland's "greatest living artist" in the 1920s, he lost all his sculptures and designs, destroyed by Germans in the bombing of Warsaw at the beginning of 1939. He was buried in rubble during another bombing in Katowice, but survived and several months later was allowed to leave Poland with his American-born wife, Joan. 

After the war, he settled in California and continued to design sculptures and monuments. Alas, he was only able to complete small models, portraits, paintings and medals and no large-scale sculptures were built. At the same time, he worked on developing an all-encompassing original, and bizarre anthropological theory of “everything” – races, languages, mythologies, etc., that he called the “science of Zermatism.”

Ossetynski, Mira Ziminska-Sygietynska (of Mazowsze) and Szukalski.
Archives of Valerie Hunken.

In the Californian period, he designed monuments of 1) Copernicus, 2) Polish officers, Prisoners of War, murdered in Katyn by Soviet NKVD, 3) French Guerilla Fighters of WWII, and 4) Helena Modjeska. Copies of two sketches of the Modjeska Monument are on display, thanks to Glen Bray of the Szukalski Foundation in Chatsworth. 

Building the Modjeska Monument was among pet projects of Leonidas Dudarew-Ossetynski (1910-1989) the founder and first President of the Club, who served on a Helena Modjeska Memorial Committee as its Executive Secretary, along with Pola Negri, and other Polish American activists. Szukalski was associated with the Modjeska Club in its first decade, 1971-1978; when he served on the Board of Directors as one of five Art Advisors with Roman Maciejewski, composer; Stefan Wenta, dancer and choreographer (Modjeska Club’s Honorary Member), Stefanie Powers, actress; and Yolanta Wojkiełło-Martusewicz, fiber artist.

Modjeska Monument by Szukalski, 1955 reproduction in a program of Modjeska Players,
a theatrical group of Dudarew-Ossetynski and Lidia Prochnicka. The exhibit will show a copy of the color original. 

Two designs of the Modjeska Monument will be shown. In an undated letter to Ossetyński, kept in the Polish Museum of America’s archives with an inscription “Helena Modjeska Memorial Committee” on its back  Szukalski wrote about his intention to portray the actress in his sculpture as a dancer that held a heart, a crown, and a moon in her hands. Posed asymmetrically like a flamenco dancer with her castanets, Szukalski’s Modjeska was towering above a knee-high model of St. Mary's Basilica in Kraków, Modjeska’s hometown. Szukalski described this building as both “the most characteristic monument of Kraków” and “the most beautiful temple.” In this design, the sculptor's intention was for Modjeska to become “a reflection of her national origin” so that she “radiates onto the audience of foreign nations with her proud heart.”